Although not nearly as well-known as figures like Bob Wills, the Maddox Brothers, and Merle Travis, Tex Williams was an important Western swing performer. Like all of the aforementioned musicians, he helped develop country music from its rural, acoustic origins to a more danceable, city-fied, and electrified form with a much wider popular appeal. At his peak in the late '40s, he also recorded some of the most enjoyable country swing of his time, distinguished by his talking-blues vocal delivery. Much of his style can be heard in the Western swing-influenced recordings of revivalists like Asleep at the Wheel, Commander Cody, and Dan Hicks.
The singer and guitarist caught his first big break after moving to Los Angeles in 1942.
At that time California was populated by many former Texans and Oklahomans working in the defense industry, creating a need for Western swing entertainment in a region not noted for country music.
One of the musicians on this circuit was fiddler Spade Cooley, who employed Jack Williams as his singer, nicknaming him "Tex" to ensure easy identification by the many Texans in their audiences. Several of Cooley's mid-'40s Columbia singles featured Tex on vocals.
Capitol offered a contract to Williams as a solo artist, which strained the relationship between Tex and the tempestuous Cooley to the breaking point. Cooley fired Williams in June 1946, a move which backfired badly, as most of Cooley's band opted to follow Tex rather than remain with their difficult boss. Cooley achieved his greatest subsequent notoriety when he was convicted of beating his wife to death in a drunken fit in 1961.